XI. Sixième tableau - Le jardin féerique

We think of fairy gardens as lush little secluded places where fairies can romp around without being disturbed. Well, that is, those of us who even think about such things. These jardin are for the observing and not for interloping.

Beaches are like that too.  Gentle sprites are replaced by youngsters, blond hair flying in the wind, sand it toes, and totally into their thoughts of magic castles, princesses and an occasional dragon.

There are old axioms in acting on the stage - something generally about a wall that separates the actor from the audience; something clear and unseeable but loaded up with "do not cross" signs.  Actors, like sprites and fairies, are to be viewed; their territory sacred and inviolate. We have our place, they have theirs.

When kids are creating, laughing and playing, surrounded by sand and water, sun and breeze, I can only watch and be happy that they are in their garden and in their world.

(The music is the conclusion to Ravel's Mother Goose Suite, 100 years and 2 months ago.  The kids are timeless)

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